简介：原作漫画单行本第27卷限定版同捆，各校选手采访篇。

简介：原作10.5巻の一色いろはがメインのエピソードをアニメ化

简介：《德云社20周年全球巡演澳洲站》是在德云社成立20年之际举行的全球相声巡演。此次演出德云社走访了阿德莱德，墨尔本，悉尼三地！巡演节目内容丰富，颇具“德云特色”。这是一场视听盛典，德云社多位相声艺人倾力轮番上演，一起将爆笑进行到底。之后将澳洲郭德纲单口相声专场上线，纲丝们敬请期待！

简介：德云社德云九队小园子三里屯站演出爆笑来袭！表演节目精彩纷呈，其中包括韩九鸣、朱汝钊演的《文昭关》；陈九福、张霄霆表演的《叫卖图》；董九涵、王筱阁、马霄戎表演的《群口相声》；樊霄堂、张霄帅表演的《论捧逗》；刘鹤春、关鹤柏表演的《绕口令》；张九龄、王九龙表演的《学跳舞》。精彩内容不容错过。

简介：德云社德云七队小园子新街口站演出爆笑来袭！表演节目精彩纷呈，其中包括丁霄楷、渠霄楠表演的《山西家信》；小龙、姬霄桐表演的《六口人》；党霄咏、吴霄庆表演的《对春联》；李九春、李霄虹表演的《空城计》；马霄盛、刘鹤安表演的《卖估衣》；尚九熙、郭霄汉表演的《学哑语》，精彩内容不容错过。

简介：本次剧场版为根据之前TV版再剪辑，由富野制作人重新编写台词让对白更方便理解，并追加全新画面（这次新画面不多，主要是修改对白），预计全5部　　欢迎之前看过没看懂没看过的朋友们都来看一下本次的新编辑剧场版，观感真的十分完美

简介：秀徳VS洛山の準決勝。相手の動きを見通す赤司の「天帝の眼（エンペラーアイ）」に苦しみながらも、秀徳は緑間と高尾の連携プレイで反撃し、チーム一丸となって洛山に食らいつく。だが、そんな秀徳のわずかな希望も、赤司は冷酷に打ち砕く...。決勝戦は誠凛VS洛山に決まった。火神は試合開始直後からゾーンに入るが、赤司は容易く抑え込んでしまう。洛山との力の差に、何度も心が折れかける誠凛。だが黒子は諦めることなく、強い決意で赤司と対峙する...！

简介：《蜡笔小新》第28部电影，日本于2020年4月24日上映，本作并为蜡笔小新漫画连载30周年纪念作品。宣传标语有[世界拯救！蜡笔！，本作以涂鸦王国为舞台，讲述小新等四位勇士拯救世界的故事。

简介：腊月二十八（1月19日）1930，河南卫视、大象新闻等全网络平台播出《卯足劲头弄春潮——2023河南春节晚会》。

简介：剧情紧接外传 Battlefield of Pacifist（和平主义者的战场），地球与殖民地的战斗于殖民后196年结束。除五飞外，希洛等四位高达驾驶员决心把高达送往太阳丢弃，然而统一的地球圈再次被人类的欲望所吞噬，战乱再一次燃起。巴顿财团利用前OZ统帅杜鲁斯之女作傀儡领袖成立军队，以新建之殖民地X18999为基地，同时胁持担任地球外交官的莉莉娜作人质，企图实行第二次流星作战。希洛等人进入殖民地化解危机并把高达取回作战。

简介：神秘的EVA零号机驾驶员绫波丽，在与碇元度约定之时，来到了NERV底层中央教条的红色水池边。她的命运似乎就将在此结束。　　在危急时刻，葛城美里不但要完成加持良治交待的对“第二次浩劫”真相以及“人类补完计划”的探查工作，还要保护碇真嗣与明日香，以及防备SEELE 对初号机与二号机的物理接触。　　出于对碇元度的憎恨，赤木律子接受了SEELE引爆MAGI的提案，她能否成功？长期与SEELE共事的碇元度、冬月耕造、碇唯，为了防止人类“最终的悲剧”，而酝酿了的“人类补完计划”能否实现？尽在《新世纪福音战士》电影版第2部中解答。

简介：德云社德云七队小园子三里屯站演出爆笑来袭！表演节目精彩纷呈，其中包括小龙、姬霄桐表演的《拔牙》；宋昊然、于筱怀表演的《数来宝》；李九春、李霄虹表演的《快乐生活》；刘九儒、孙九香表演的《赞马诗》；马霄盛、刘鹤安表演的《学哑语》；刘筱亭、张九泰表演的《五红图》；孟鹤堂、周九良表演的《大上寿》。精彩内容不容错过。

简介：【第一场】　　- 《开场门柳》郭德纲携众人　　- 《芳言芳语》孙九芳、马霄戎　　- 《怪治病》尚九熙、郭霄汉　　- 《陈大海挖人参》郭德纲　　- 《儿徒爱徒》烧饼、于谦、栾云平　　- 《口吐莲花》张九龄、王九龙　　- 《歌曲研究》孟鹤堂、周九良　　- 《公主来了》郭德纲、于谦　　- 《卖估衣》张鹤伦、郎鹤炎　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《洪羊洞》郭麒麟、阎鹤祥　　- 《造厨》岳云鹏、孙越　　- 《三人行》郭德纲、于谦、高峰　　【第二场】　　- 《歌唱吧少年》谢金、李鹤东　　- 《杨乃武写状》张鹤伦、郎鹤炎　　- 《人肉铺子》郭德纲　　- 《德云欢乐颂》冯照洋、于谦、杨鹤通　　- 《黄鹤楼》孟鹤堂、周九良　　- 《新数来宝》烧饼、曹鹤阳　　- 《翻四辈》郭德纲、于谦、张九南　　- 《福寿全》郭麒麟、阎鹤祥　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《卖吊票》岳云鹏、孙越　　- 《写对子》高峰、栾云平　　- 《戏曲与方言》郭德纲、于谦

简介：由于机械生命体的袭击，文明崩溃，星星只剩下沙漠和鬼屋了。少年诺亚为了实现帮助那些仅存的动物的梦想，当时，机械化了身体，在严酷的环境中独自生存下来，并制造方舟。在那里，觊觎从另一个世界来的方舟的天圣凯瑟德。我在诺亚寻找夺取方舟的机会，在触及诺亚的直率和温柔中，在目的和友情之间变得摇摆不定。机器生命体的真面目是什么凯瑟德的决定是——诺亚的梦想会实现吗——

简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

简介：收录于BD DVD第5卷中。

简介：

这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！

简介：德云社德云七队小园子天桥站演出爆笑来袭！表演节目精彩纷呈，其中包括丁楷罡、渠淏表演的《买卖论》；小龙、郭霄汉表演的《哭四出》；刘九儒、孙九香表演的《卖估衣》；马霄盛、刘霄航表演的《大西厢》；刘筱亭、张九泰表演的《学评书》；孟鹤堂、周九良表演的《偷斧子》。精彩内容不容错过。

简介：【第一场】　　- 《开场门柳》郭德纲携众人　　- 《芳言芳语》孙九芳、马霄戎　　- 《怪治病》尚九熙、郭霄汉　　- 《陈大海挖人参》郭德纲　　- 《儿徒爱徒》烧饼、于谦、栾云平　　- 《口吐莲花》张九龄、王九龙　　- 《歌曲研究》孟鹤堂、周九良　　- 《公主来了》郭德纲、于谦　　- 《卖估衣》张鹤伦、郎鹤炎　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《洪羊洞》郭麒麟、阎鹤祥　　- 《造厨》岳云鹏、孙越　　- 《三人行》郭德纲、于谦、高峰　　【第二场】　　- 《歌唱吧少年》谢金、李鹤东　　- 《杨乃武写状》张鹤伦、郎鹤炎　　- 《人肉铺子》郭德纲　　- 《德云欢乐颂》冯照洋、于谦、杨鹤通　　- 《黄鹤楼》孟鹤堂、周九良　　- 《新数来宝》烧饼、曹鹤阳　　- 《翻四辈》郭德纲、于谦、张九南　　- 《福寿全》郭麒麟、阎鹤祥　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《卖吊票》岳云鹏、孙越　　- 《写对子》高峰、栾云平　　- 《戏曲与方言》郭德纲、于谦

简介：

简介：在2008年5月19日发售的第25期少年JUMP上，出现了一个令人振奋的消息。《世纪末领袖传》的作者岛袋光年最新漫画开始连载，漫画的名字预定为《トリコ》，中文翻译为《美食的俘虏》。超强的食欲，追求还没看到的美味，美食家传奇的超大型新连载是这部漫画的主题。好评如潮(由于只是小剧场版，所以只收录了捕获加拉鳄一话的内容)。TV动画已决定于2011年4月开始放送。强烈，食欲，寻求还未见过的美味食品……。曾经有人说过——有一种野兽，全身的肉全都在舌尖上溶化并浮有油脂……。有一棵树上，整年都生长着滑嫩并全是肉的大龙虾及堪察加似石蟹……。还有源源泉不断的流出——琥珀色高级芳醇的白兰帝的泉水……。人类全为他们而疯狂。

简介：《明星大侦探之案件还原 动漫版》是高能推理会员社区神秘空间用户专享的内容，通过动漫的展现形式，还原《明星大侦探》第四季至第六季案件故事全程。

简介：世界的崩溃开始了。　　暴走的大缅因猫兽吸收了黑暗进化的迪路兽、　　用强大的力量进化成了秩序兽。　　根据世界树的想法，现实世界将被数码世界所吞噬。　　在绝望迫近的时候，被选中的孩子们拼命地向前。　　现在太一不在了，能代替他带队的只有大 和。　　「为了拯救世界，我们还有必须要做的事情！」　　加布兽的话给大和带来了活力，而亚古兽则坚信太一定会回来。　　另一方面，恒常性要处置失去控制的秩序兽、　　并尝试施行干涉现实世界的最终计划。　　为了阻止毁灭的到来，被选召的孩子们和他们的搭档拼命地战斗。　　「所有的光芒，都汇聚在了缅因猫兽…」　　绝望的迪路兽向大家说到。　　孩子们做出最后决定的时候到了。　　被选中的孩子们，自己将选择怎样的未来？　　现在，冒险将再一次进化。

简介：私立荒矶高中生徒会执行部（又被译作《男男罪游记》）是日本漫画家峰仓和也所著的漫画作品。私立荒矶高中原本本是一所男校，后来也招收女生了，不过男生的比例依旧很高。校规第5条——隶属于本校学生会的“执行部”是智力、体力、正义感俱佳的学生被赋予任务的号称。而持有这个证明“执行部简章”者，除了必须维护校园的治安外，其他人都无权干涉他们的行动。故事讲述了久保田诚人和时任稔以暴制暴，维护正义的高中生活，说实话，非常搞笑。