哈利波特7：哈利波特与死亡圣器上

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Rezort是一个风光无比秀丽的海岛，由威尔顿集团经营，源源不断的游客前往那儿度假。不过，他们不仅仅是为欣赏美景，还有另一个特殊目的-- 玩射杀丧尸的游戏。这些丧尸是上一次人尸世界大战中仅存的俘虏，许多人带着为亲人复仇的心态前去。梅兰妮就是其中一位，不过她此行不顺，由于**原因，岛上防御系统崩溃，成千上万的丧尸冲出牢笼，瞬间占领了海岛，疯狂觅食游客。梅兰妮一行人在亡命逃跑过程中，却发现了一个更加可怕的阴谋.......

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一小群幸存者发现自己在一间充满乐趣的房子里度过一个后世界末日，他们变成了一个防空洞。

简介：Scot想要从歹徒手中救出妹妹，却遭人陷害，被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...

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　望安县水泥厂频临倒闭，分管计术的副厂长叶继林突然死亡，厂长魏兆丰在企业改制后竟然占有51%股份。望安县人民检察院接到该案涉嫌侵吞国有资产等职务犯罪的举报后，指派反贪局副局长公良正带领侦查员曾昭伟对望安县陶土厂进行查处，就在这时，曾昭伟的未婚妻叶小卉（叶继林之女）却突然被人追杀，曾昭伟救下叶小卉后，未婚妻叶小卉却突然提出和曾昭伟解除婚约，她要跟随魏兆丰去香港。曾昭伟一边挽救他和叶小卉的爱情，一边暗查魏兆丰侵吞国有资产的事实，魏兆丰突然死亡，遭致曾昭伟有情杀嫌疑。反贪局长公良正将计就计。曾昭伟为了清白自己，深入虎穴，逐渐掉入香港商人梁家言的圈套，在金钱、美女面前，曾昭伟被副县长夫人周永霞看似腐化、控制，但第一船陶土（稀土）行将途径香港运往海外时，曾昭伟亮出了自己检察官的身份，他将阴谋大白于天下。

简介：

未来世界，军方研制强化战士作战能力的药剂，却弄巧成拙导致大量民众沾染失败的实验制剂，并由此诞生了身体异于常人的生化人群体。军方兴建了庞大的隔离建筑，同时研发出对付生化人的最终武器，于是生化人组织派出女战士紫罗兰（Milla Jovovich 饰）潜入军方内部，用暴力方式将最终武器抢夺。紫罗兰难耐好奇，于路将最终武器包装打开之后发现里面居然是一名男童（Cameron Bright 饰），原来男童拥有可以消灭生化人的血液抗原，紫罗兰认为血液抗原亦可使生化人返回人类形态，不满组织的粗暴解决方式遂决意背叛，携自称“6号”的男童踏上了躲避军方和生化人组织的亡命之旅。而男童的背后，还有更大的秘密尚未揭开。

简介：

亚历克斯·帕蒂弗(《关键第四号》《魔力麦克》)、夏洛特·勒·邦(《云中行走》《伊夫圣罗兰传》)加盟科幻新片《警告》(Warning)，詹姆斯·达西、劳拉·哈里尔、梅纳·马苏德(《阿拉丁》)参演，艺术家Agata Alexander献出电影长片导演首秀，并与Rob Michaelson、Jason Kaye编写剧本，冬季罗马尼亚开拍。该片风格类似《黑镜》，设定在不远的将来的地球上，探讨当截然不同的生活发生碰撞时，孤独、死亡和生命的意义。

简介：在一个迥异鬼魅的社会，上百层的高楼大厦拔地而起，俨然构筑了一个全然封闭的城市乡镇。居住在138层的女子高中生藤崎（藤崎露琪诺 饰）此前很长时间没有去学校，这一天她乘坐交通工具“移动机筒”赶往学校，不同身份的乘客相继走入，带着各异的目的去往他们的楼层。谁知意外毫无征兆发生，移动机筒因爆炸事故突然停止运行。突如其来的状况，让所有人的命运发生转变。原本甘心受戮的死囚犯仿佛窥到一线生机，因此展开拼死搏杀。逼仄的轿厢内，人间地狱骤然降临。　　在此过程中，藤崎好像发现自己拥有某种奇特的能力，而她的命运也变得愈加扑朔迷离……

简介：探险家正风 (李修贤) 到森林探险，遇到大猩猩及女泰山阿维。惜正风误堕娱乐商人鲁天圈套，猩猩王被带往香港表演。阿维不忍心大猩猩被凌辱，伤心不已。鲁意图污辱阿维，猩猩王大怒，大肆捣乱…

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：《Stargate：Continuum》是《Stargate SG-1》的大结局，主要讲述Ba'al通过时间旅行回到过去，妄想阻止星际之门项目的诞生，而SG1则必须设法恢复历史的本来面目，并与Ba'al进行最终的对抗...

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雷•费瑞尔（汤姆•克鲁斯 Tom Cruise 饰）和妻子离婚了，一儿一女都跟母亲生活——因为他的的贪玩懒散，疏忽责任，这个家庭才如此支离破碎。一场外星人入侵的灾难却让他们重新建立起亲密的的关系。
　　这天妻子繁忙，只好把儿女交给雷照顾。电闪雷鸣天色灰暗，一切好像有些异样。 果然，马路上赫然一个庞大的三脚飞行器掘地而起，邪恶的火星人光顾了这个本来平静的小镇。人们四处逃亡，雷也带着女儿奔走逃命，开始了生死历险。当局想尽办法对付外星人，却屡屡失败，整个世界都陷入了恐慌当中。
　　有了父爱的本能，平日吊儿郎当的父亲变得英勇顽强，保护儿女成了他支撑他的动力和信念

简介：

　　故事围绕一个家庭展开，家庭的主角是一对母子，他们躲在地堡里幸存了下来变成了地球上最后的人类家庭，可是导致世界末日的缘由来源于他们二十年前的所作所为。