再世情缘

简介：

蕾利（凯瑟琳·德纳芙 Catherine Deneuve 饰）一直饱受未婚夫维特里奥（路易吉·万努基 Luigi Vannucchi 饰）那暴躁的脾气的折磨，终于，在结婚典礼举办四天前，忍无可忍的蕾利决定逃跑。在酒店里，维特里奥找到了蕾利，就在这个节骨眼上，一名陌生的男子出现并且帮助蕾利逃出生天。蕾利在偶然中得知该男子拥有一座无人岛，于是偷偷的跑到了岛上多了起来，哪知道第二天，这个男人也带着充足的生活用品来到岛上。原来，这个男人名叫马丁（伊夫·蒙当 Yves Montand 饰），和蕾利一样，他也是为了逃避结婚才来到这里打算躲起来的。一方小小的天地间，两个孤男寡女，一段罗曼蒂克的爱情故事正在酝酿。

简介：

出生贫困的花季少女小梅，小小年纪便独自在大城市漂泊。凭借自身的努力，她收获了爱情和事业。在一次晕倒中，小梅被查出患有绝症，同时，她又遭到男友与闺蜜的双重背叛。另一方面，4S店经理严总一直默默地守护在小梅身边，并在朝夕相处中擦出了爱情的火花。死神的脚步声已经越来越近，爱情要如何在这有限的时日中维系？此生未完的爱情，来生可否再续？

简介：陈歌有一次回到母校和同学聚会，想起了当年大学生活，同班居然有和自己同名同姓的男陈歌（陈戈），俩人由争锋相对变的心心相惜，展现了大学时代恋爱中的男女心里状态的懵懂与困惑，一段段爱恨别离的情感。

简介：圣诞节即将来临，各处都立起了缤纷的圣诞树，即使是寒冷的冬日也不能阻挡人们的热情。然而对于一部分人来说，即使是圣诞节，有些事情也不得不解决。影片就讲述了圣诞节前的一周，一间酒店里的几个小故事。有人为了工作不能陪伴在家人身边，也有刚刚交往的恋人温馨甜蜜的小浪漫，有相伴一生的老两口在这里度过自己的纪念日，也有婚姻即将走向尽头貌合神离的夫妻。每个人都打算在这一年即将终结的日子为自己的生活描绘些新的回忆，这几个或温馨或伤感的小故事将带给人们什么样的启发呢？

简介：

讲述了后羿射日后，金乌坠羽扶桑化为金莲，并落入凡间附在一名小游医张怀生身上，红狐红绡、白狐倾城与黑狐夜桑受姥姥之命下凡寻找，并结识张怀生与藏匿凡间的银狐陈襄，在金莲逐渐觉醒后，一人三狐前世今生的旷世爱情故事。

简介：Rachel,Sharon,Sherming是多年好友,Sharon的男朋友Roy對她並不忠誠,Sharon決意與Roy分手,往紐約發展,她們許下諾言,於三年後在老地方酒吧見面,但Sherming似對Rachel心存芥蒂,原來Rachel在Sharon離港期間竟與Roy同居,但更意外的, 是Roy沒想到Sherming也會出現,而Sherming毫不諱言說出,自己早已跟Roy走在一起.....

简介：

简介：故事讲述一名惊慌失措的年轻女子和她的两名挚友千里迢迢飞到墨西哥，想要删掉当初在盛怒之下传给新男友的一封电邮。谁知她在抵达后竟巧遇前男友，他也因此被卷入这场疯狂计划！

简介：赫拉克勒斯是希腊神话中伟大的英雄，他是宙斯与阿尔克墨涅之子。阿尔克墨涅是珀耳修斯的孙女，底比斯国王安菲特律翁的妻子。安菲特律翁也是珀耳修斯的孙子，是泰林斯国王，但后来离开了那个城市，移居底比斯。阿尔克墨涅惧怕赫拉诅咒，多番让赫拉克勒斯身处险境，而小赫拉克勒斯却平安无恙。长大后他神勇无比，完成了十二项英雄伟绩，包括杀掉涅墨亚的狮子，杀掉斯廷法罗斯湖怪鸟，打败安泰巨人，被升为武仙座。此外他还参加了阿尔果斯远征帮助伊阿宋觅取金羊毛，解救了普罗米修斯等。本片讲述了有关他英勇无畏，敢于斗争的故事。

简介：苏勇带好友李彤回乡，却不小心路遇大雨，在躲雨时巧遇美女张欣。张欣称苏勇为相公，并死缠烂打的随着苏勇一同回乡，成功成为苏勇的“媳妇”。仍然深爱梦嫣的苏勇无法接受张欣。苏勇被被僵尸围攻，千钧一发之际张欣出现再次救了他，却因此身受重伤。张欣身份成迷，僵尸在外捣乱。苏勇一行人能能否解开真相？

简介：

杜一风与校草乔彬因自行车相撞结缘，从针锋相对到携手创业。乔彬身世隐秘，杜一风意外得知其母亲抛弃他的真相，在父亲病逝时陪伴左右，让乔彬首次感受温暖。杜一风当众向南雨表白失败，促使三人正视情感，最终以友情为纽带共同成长，在事业与羁绊中寻找平衡。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)