惊变28年

简介：托尼·斯塔克（小罗伯特·唐尼 Robert Downey Jr. 饰）试图重启一个已经废弃的维和项目，不料该项目却成为危机导火索。世上最强大的超级英雄——钢铁侠、美国队长（克里斯·埃文斯 Chris Evans 饰）、雷神（克里斯·海姆斯沃斯 Chris Hemsworth 饰）、绿巨人（马克·鲁弗洛 Mark Ruffalo 饰）、黑寡妇（斯嘉丽·约翰逊 Scarlett Johansson 饰）和鹰眼（杰瑞米·雷纳 Jeremy Renner 饰），不得不接受终极考验，拯救危在旦夕的地球。神秘反派奥创（詹姆斯·斯派德 James Spader 配音）逐渐崛起，超级英雄们必须重新集结，竭力阻止奥创实施人类灭绝计划。战斗中，复仇者联盟成员们还遇到了两个新人物——旺达·马克西莫夫（伊丽莎白·奥尔森 Elizabeth Olsen 饰）和皮特罗·马克西莫夫（亚伦·泰勒-约翰逊 Aaron Taylor-Johnson 饰），以及以全新面目归来的老朋友——幻视（保罗·贝坦尼 Paul Bettany 饰）。　　世界秩序濒临崩溃，复仇者联盟必须阻止奥创的阴谋。强敌不断出现，一场空前绝后的全球浩战即将展开……

简介：本剧主角是一位年轻的姑娘，她接受了一项重要的任务。她必须尽全力拯救自己的哥哥们，并解开母亲对他们下的诅咒。该故事不仅讲述了用其和不屈不挠的精神，同时也证明了言语的力量。这是一个有关于真相与真爱的故事……

简介：

“盒子隐喻”是一个引人注目的反乌托邦之旅，不公正的监禁揭示了社会的一致性和反抗的深刻影响。这是关于打破隐喻的盒子和人类精神的韧性。

简介：

[G] 是时间座标在1950年的星际特工，工作是逮住破坏星际秩序的外星人。在追捕行动中，利用时光旅行穿越时空来到现在的地球，女警莉莎是他唯一认识且信任的地球人，这对临时搭档要在有限的时间内将三个外星人缉捕到案，否则将会有蜂拥而上的外星人穿过虫洞来到地球…

简介：

两个陌生的年轻人发现了一艘神秘的宇宙飞船，它将他们带回到数百万年前。

简介：此片是《Westworld》的续集，由彼得．方达、尤．伯连纳、布莱思．丹纳等主演。内容介绍阴谋者借机械人乐园再次开幕之际，以机械人取代来参观的巨商政要，企图藉此控制全世界，不料他们的野心被两名记者予以揭穿。该片在内容上没有上集那么新奇热闹，但在剧情上增加了悬念性，高潮性亦拍得相当紧张刺激。

简介：

故事的设定发生在当下，变种人族群遭到了前所未有的毁灭性打击，而这一切的根源是“魔形女”瑞文（詹妮弗·劳伦斯 Jennifer Lawrence 饰）在1973年刺杀了玻利瓦尔·特拉斯克（彼特·丁拉基 Peter Dinklage 饰）。在得知“幻影猫”（艾伦·佩吉 E llen Page 饰）利用穿越时空的能力帮助Blink（范冰冰 饰）等战友逃脱巨型机器人“哨兵”的追杀后，X教授（帕特里克·斯图尔特 Patrick Stewart 饰）和万磁王（伊恩·麦克莱恩 Ian McKellen 饰）达成认同，决定让金刚狼（休·杰克曼 Hugh Jackman 饰）穿越回1973年，找到年轻的X教授（詹姆斯·麦卡沃伊 James McAvoy 饰）和年轻的万磁王（迈克尔·法斯宾德 Michael Fassbender 饰）并说服他们一起阻止魔形女的行动。于是，金刚狼踏上了回到过去的旅程，但是命运会不会发生逆转，任何人都无从知晓。

简介：《霹雳五号》是1986年由新力影业旗下子公司——三星影业所推出的科幻喜剧片。　　NOVA军火公司开发了五台战争用机器人，而其中一台机器人“No.5”有一天突然被雷打中，而之后便产生了自我意识，并且开始自称自己为“强尼五号”。它逃到了街上，却被人类视为一大威胁，而剩下四台机器人也在追杀它，它必须设法说服发明它的科学家“自己是一种生命，而不是战争用机器人”。在一次短路状况下闯入了热心保护动物的史蒂芬妮家中，并从与人交往的过程中学习到人类的智慧的人性，后来拒绝回到武器公司充当他们的杀人工具。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：

八岁的布兰登发现了一本神奇的故事书，这本书将他引向阁楼上通往魔法故事乐园的一扇门。在那里，他遇见了樵夫伍迪、拳击袋鼠波奇和聪明的猫头鹰呼特。他们出发去夺回亚瑟王子的王国，这个王国被邪恶的女王埃维利亚和她的宠物蛇希斯夺走。

简介：

科林·法瑞尔将主演A24新片《After Yang》，由2017年颇受好评的《在哥伦布》的韩裔导演Kogonada执导。改编自Alexander Weinstein所著短篇故事《Saying Goodbye to Yang》(向杨说再见)，讲述一对美国父女试图拯救一个亲如家人的机器人助手。原作中是一个设定为中国人的机器人“杨/阳”，他被带进这个家庭后成为他们的好帮手和亲人，但有一天突然出了问题⋯⋯

简介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.