好奇害死猫

简介：

哈尼亚是一个新入行的记者。第一天的工作就将她带入了节奏和舞蹈的世界。她立刻就被强烈吸引。然而这背后隐藏着一个只有她母亲才知道的秘密 — 著名舞蹈家Jan Kettler正是哈尼亚失散多年的父亲。

简介：

艾米莉亚是一名制图师，圣诞节前夕，她接到一个紧急任务，要为孩子们制作一张北极藏宝图。她总是力求在地图上尽可能多地记录事实。当她得知著名探险摄影师德鲁·坎贝尔正在拜访她的小镇时，她的老板建议她与他合作，因为他在北极有亲身经历。艾米莉亚觉得德鲁有点自负，对与他合作心存疑虑。但当她制定了一个计划并强迫他执行后，他们开始更好地合作，两人之间也产生了另一种形式的紧张关系。

简介：

两个迷失灵魂的在绝望和魅力中找到彼此，两个女人来自不同的世界，一个是年轻的艺术家，另一个是一个年老的妓女——她们之间发展出一段不可能的关系。——橘里橘气字幕组

简介：

作家米娅与单身父亲埃米尔相爱后，两人为了要孩子接受了生育治疗，他们的幸福生活也因此受到了考验。

简介：

能看见「恋爱的光线」的大学生西条，爱上了正在探索恋爱的女孩东云——。正是因为能看见，所以才会觉得痛苦难受。前所未有的恋爱故事开始了。

简介：

肖恩经营着一家纽约广告公司，欧文则是一位小镇杂工兼音乐家，两人在假期期间互换住所。肖恩的助手米娅帮助欧文安顿好新公寓；而欧文派来修理坏掉的暖气的瑞恩则帮助肖恩体验小镇生活的魅力。欧文在大城市里格格不入，他试图与住在公寓楼里的哈罗调情，哈罗是一位胸怀大志的模特/演员/歌手。一天晚上，米娅带欧文在镇上逛了一圈后，哈罗看到他穿着从肖恩衣橱里借来的衣服走进电梯。哈罗觉得欧文很有钱，便也对他调情，并安排了一次约会。然而，米娅警告欧文，她只是因为他住在肖恩的公寓里，穿着肖恩的衣服，所以才认为他有钱。在约会当天，欧文终于意识到了自己的真实身份，以及他真正想要的生活。与此同时，肖恩爱上了当地的兽医，而这位兽医恰好隐藏着一个大秘密——实际上是两个……

简介：

忠诚、思维敏捷的露西是明星的私人助理，可以应对任何情况。当鲁珀特王子抵达纽约准备假面舞会时，露西爱上了她的新雇主。

简介：凯文（保罗·达诺 Paul Dano 饰）是一名天才小说家，曾经凭借处女作跻身全国著名作家，可是到了第二部作品时却遇到了瓶颈。与此同时，他的生活也显得不尽如人意，自从初恋女友离开他以后，凯文一直孤身一人，甚至称自己是“不适合约会的类型”。于是，凯文开始在梦里虚构了一个自 己的理想型露比（佐伊·卡赞 Zoe Kazan 饰），并把梦中的露比记录下来预备做自己新书的题材。就这样，凯文过了几个晚上做梦白天写作的日子。直到有一天，凯文醒来发现梦中的露比竟然真真实实的出现在了他的生活里，更令人难以置信的是凯文竟然可以通过书写虚构的露比来改变现实生活中的露比……　　影片《恋恋书中人》由保罗·达诺与佐伊·卡赞这对现实中的情侣携手主演。

简介：

张磬（方中信 饰）和方韵（汪裴 饰）是一对常见两地分居的夫妇，虽然事业小有成就，生活优渥，但是二人始终膝下无子，此事不仅令张磬的父母分外焦急，也令这对喜欢孩子的夫妻忧心忡忡。在好友的建议下，他们决定请人代孕生子。经过几次见面，他们最终选择了美丽清秀的女孩李妍（秦岚 饰）。李妍独自来京闯荡，在物欲横流的社会里依旧保持着本性的善良。在张磬夫妇细心呵护下，李妍肚子里的孩子一天天长大。在此期间，身为记者的方韵在地震灾区收养了一名少数民族孤儿。两个小生命的命运发生着改变，张磬、方韵、李妍三人的内心情感也在悄悄变化……©豆瓣

简介：Amalie's dance crew advances to the global finals in France. Torn between the love of Mikael, the longing for her absent mother, and her fire for dance, Amalie must choose. Who is she to become

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：

在伊拉克的一次考古挖掘中，作家阿加莎·克里斯蒂（Agatha Christie）发现了一系列谋杀案。