606262
5.0

新哥斯拉

导演:
庵野秀明,樋口真嗣
主演:
长谷川博己,竹野内丰,石原里美,高良健吾,大杉涟,柄本明,余贵美子,市川实日子,国村隼,平泉成,松尾谕,渡边哲,中村育二,矢岛健一,津田宽治,冢本晋也,高桥一生,光石研,古田新太,松尾铃木,鹤见辰吾,泷正则,片桐入,小出惠介,斋藤工,前田敦子,手塚通,野间口彻,黑田大辅,桥本润,小林隆,诹访太朗,藤木孝,岛田久作,神尾佑,三浦贵大,茂吕师冈,犬童一心,原一男,绪方明,石垣佑磨,野村万斋
别名:
未知
5.0
606262人评分
日语
语言
2016-07-29
上映时间
未知
片长
简介:
平静的东京湾突然发生海难,当人们还在猜想是否海底火山爆发时,一只巨大的怪兽冒出水面并登陆城区。日本政府主导成立了“巨大不明生物灾害部”,网罗了国家中的奇人异士加盟,研究发现怪兽是受到放射性污染而诞生出来的,命名为哥斯拉;尝试了各种办法均宣告失败的“灾害部”最后不得不决定对哥斯拉采取武装攻击。但是这个巨大的怪兽哥斯拉完成了更恐怖的进化,整个东京将要沦为一片人间地狱,一场人类与怪兽的最终决战即将到来……  该片是2017年日本票房突破80亿的日本真人电影,并横扫第40届日本电影学院七项大奖;片中的怪兽也被称为整个哥斯拉系列中“最大版本”。
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简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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