少数幸运儿

简介：位于香格里拉深山的自然景区，阿秀（郑秀文 饰）和大妹、小妹经营着林海旅馆。她的丈夫小田（李光洁 饰）七年前误入林海，生死不明，但阿秀始终没有放弃寻找的希望。　　某天旅馆来了一名不速之客，他就是当今红遍影坛、歌坛的天王巨星Michael刘伯谦（古天乐 饰）。刘不久前与女影星丁圆圆（高圆圆 饰）订婚，但在即将走入婚姻殿堂的一刻却被矿工张行（王宝强 饰）抢婚成功。刘自暴自弃，终日酗酒，为了躲避狗仔队来到云南，却醉酒时阴差阳错登上了阿秀的卡车。刘借此机会在这个僻静的所在静养，他偶然得知阿秀竟是自己的资深歌迷，而他甚至促成了阿秀和小田的姻缘。在这段时间的相处中，刘渐渐喜欢上了善良的阿秀，但阿秀心中始终有着一条难以逾越的鸿沟……

简介：本片根据民间神话传说改编，讲述了一段凄美的仙凡之恋。三仙女在天庭查看人间百态之时，无意间发现三位有趣的男子，并被他们乐善好施的品行所吸引。在三人之一刘守义遭遇危险时，三位仙女决定下凡帮助三个凡人。

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一名女子失去了计算机程序员的工作，她的人生从那天起发生了重大转变。

简介：叶晓彤（叶玉卿 饰）是一名收银员，她的丈夫阿波抛弃了她离家出走，天真单纯的叶晓彤又误入骗局，正在孤立无援之际， 是住在同一栋大楼的警察刘正文（梁家辉 饰）向她伸出了援手。在刘正文的帮助下，叶晓彤得到了一份汽车推销员的工作，然而叶晓彤对汽车一无所知，于是刘正文从零开始一点一滴的教导她，在此过程中，两人之间碰撞出了爱情的火花。 　　正当他们的感情逐渐升温之时，阿波回到了叶晓彤的身边，这一次，叶晓彤不再软弱，她果断的拒绝了阿波的求和，决定寻找自己新的生活。然而，对于接受一段新的感情，叶晓彤始终犹豫不决，巧合的是，刘正文也是如此。

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讲述了后羿射日后，金乌坠羽扶桑化为金莲，并落入凡间附在一名小游医张怀生身上，红狐红绡、白狐倾城与黑狐夜桑受姥姥之命下凡寻找，并结识张怀生与藏匿凡间的银狐陈襄，在金莲逐渐觉醒后，一人三狐前世今生的旷世爱情故事。

简介：汉江中发现了一具女性尸体，警方经过调查得知她是名叫英爱（申珉熙 饰）的年轻学生，对于英爱的死，有三个和英爱同龄的年轻人嫌疑最大。　　第一个是郑熏（崔胜贤 饰），他出生于破碎的家庭，尽管饱受虐待，但依旧有着乐观开朗的个性。一次偶然中，郑熏和英爱相遇了，并且，英爱死亡的前一天，两人一直待在一起。第二个是名叫珉书（胜利 饰）的重考生，尽管他同英爱并不相熟，但他偷拍的英爱的视屏却让他成为了嫌疑人。最后是英爱的好友恩莹（许怡才 饰），她因为和英爱交往甚密，却也因此有着最重大的嫌疑。在纷繁的线索之后，真凶究竟是谁？三人均坚信自己的清白，他们决定联起手来，调查案件的真相。

简介：康烨，体育系毕业一年。通过好朋友介绍来到城市任职一名健美教练，通过网络与兼职模特Taylor合租房子。合租期间两人擦出爱的火花，康烨得知自己活在Taylor前男友的影子里，让他对Taylor的感觉飘忽不定，同是健美教练的谢可儿深爱着康烨，狂热的追求康烨。Taylor父母强制让Taylor与门当户对的沈建旭订婚，看不起康烨，Taylor无意看到康烨与谢可儿同床，愤然离去。最终，康烨放不下Taylor，下定决心抢婚……

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简介：根据李珈西小说《经年》改编，在经年景区里，导游小依喜欢歌舞表演者云彬不敢表白，清洁工小玲爱慕的表演者清水不置可否，世界上最遥远的距离就是一个假装不知道、另一个却打死不说，汤面奶奶和雪糕奶奶是一对双胞胎，雪糕奶奶卖的“亲嘴雪糕”据说吃了会想亲嘴，有一天，景区发生了一场传染病…

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

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简介：本片是苏联二战后摄制的第一部彩色影片，获戛纳电影节大奖和斯大林艺术电影奖最佳导演奖。影片取材于俄罗斯民间故事，青年石匠达尼拉雕刻了一朵宝石花作为爱的信物送给自己的未婚妻，不料铜山女巫突然出现，施魔法诱惑了达尼拉……