时尚之王1

简介：1990年代，陕北某地。雨住（杨涛 饰）的父亲（赵志强 饰）生前是个兽医，临终前接生的一头驴崽叫“驴嘎”。父亲死后，雨住对它精心饲养，以寄托对父亲的思念。平日里跟小伙伴玩，宁肯让人骑自己也不让骑驴，久而久之，人们都叫雨住为驴嘎。一天，村里来了摄制组，演员小海（王晨 饰）特想骑毛驴，却不小心摔伤了脚。制片方为不影响拍摄进度，请形象差不多的雨住当小海替身，并付给他一份劳务，雨住很是高兴，把这钱送给了生病的妈妈。根据剧情需要，戏中日本鬼子要杀掉小毛驴，导演（石小园 饰）看到雨住对毛驴的特殊感情，采用特技处理了这场戏。剧组要离村了，小海抱着雨住久久不想分开......

简介：故事发生在美国南北战争时期。图科（埃里•瓦拉赫 Eli Wallach 饰）是一个图财害命的江洋大盗，因此他被镇上悬赏通缉。布兰迪（克林特•伊斯特伍德 Clint Eastwood  饰）是一个除暴安良的牛仔，他无意中抓住了图科，但嫌赏金不够又掳走了他。在荒漠中，布兰迪惩罚图科让其自生自灭。但是诡诈的图科居然逃过了一劫，并纠集一些帮凶在客栈捉住了布兰迪。正当图科以牙还牙折磨布兰迪的时候，他劫持了一个名叫卡森的士兵。后者临死前留下了宝藏的秘密，图科和布兰迪分别获得了一半信息。与此同时，一个狡猾的杀手桑坦萨（李•范•克里夫 Lee Van Cleef 饰）也通过其他渠道发现了宝藏的秘密。于是，在寻宝的道路上，三个人使出浑身解数，上演了一场场对决的好戏……

简介：马西莫（迈克尔·莫罗内 Michele Morrone 饰）出生于一个非常繁盛的西西里黑手党家族之中，从小肩上就背负了继承家业的重任。身为族长的父亲遭人暗杀，尽管马西莫对与黑道这点事情毫无兴趣，但作为家族唯一的继承人，他只能接替父亲的位置，成为了首领。　　劳拉（安娜·玛丽亚·西克拉克 Anna Maria Sieklucka 饰）是一家非常豪华的大酒店的总监，虽然她年纪轻轻就已经攀登上了事业的顶峰，但内心的极度空虚和感情世界的一片空白常常令她感到备受折磨。为了排遣心中的苦闷，劳拉叫上好友一起踏上了前往西西里群岛的度假之旅，哪知道竟然在那里遭到了马西莫的绑架，更让劳拉没有想到的是，自己竟然会爱上这位穷凶极恶的绑匪。

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简介：故事发生在文革时期的江南某地。反修医院革委会主任贾一民（叶志康 饰）响应“中央文革”联络员指示，踢开“臭老九”，起用“小闯将”，竟然让只学过几天医的炊事员姚尧（谢园 饰），让他给急症病人鲁大牛（王国京 饰）开刀。结果他把病人好肠子割掉一截，病变的盲肠却留在肚子里。自知无能的姚尧要求回伙房，但贾一民却为一已之私非要把他培养成“样板医生”，让他给病人苏宗棠（石灵 饰）做胆囊手术。幸而因突发原因，原外科“一把刀”常春来（丁嘉元 饰）冒险主刀。术后，苏因错服姚尧送来的药，昏死过去，贾一民得知消息，心生一计......

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《OB》讲述了与高尔夫相距甚远、与商业相距甚远的研究员昌旭为了获得国家事业权而展开游说，引发高尔夫界混乱的故事。

简介：一个掌管着数亿资产的企业家热衷于某种冒险体育活动，这种舍身家性命不顾的行为令不少人大惑不解。攀登者的勇气来自强健的体格和娴熟的登山技巧，本片探讨“到底什么是胆量”。　　胆量是经营决策者不可或缺的品质。对于任何一个经营者，无法回避的问题是，你必须在复杂多变的市场环境中求得生存和发展，必须直面各种不确定性风险带来的挑战。无数事实说明，有了善于审时度势、选择正确、决策果断的经营者，对于一家企业保持长盛不衰是何等的重要。　　“胆大为王”是对“有胆有识”的一种诠释，并不代表脱离现实的武断和蛮乾，而是代表着坚持用缜密思维和科学方法应对“不测风云”，代表着经过仔细观察和深思熟虑后作出的正确决择。“胆大为王”又是对“谨小慎微”和“优柔寡断”的否定。

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简介：温蒂（艾莉森·斯戴曼 Alison Steadman 饰）和丈夫安迪（吉姆·布劳德本特 Jim Broadbent 饰）结婚多年，两人育有两个女儿娜塔莉（克莱尔·斯金纳 Claire Skinner 饰）和尼古拉（简·霍洛克斯 Jane Horrocks 饰）。温蒂本分贤惠，操持着家中大大小小的事务，而安迪辛勤工作，希望有一天能够自立门户。　　娜塔莉是一名水管工，个性开朗的她向往自由不羁的生活，喜欢和朋友们待在一起，然而，尼古拉却恰恰相反，有些神经质的她不仅整天紧张兮兮，还患有厌食症。尼古拉和男友之间的感情产生了裂缝，这让尼古拉的精神濒临了崩溃的边缘，与此同时，安迪在一次意外之中身负重伤，整个家庭的重担全部落在了温蒂和娜塔莉的肩头。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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乐莹（贾玲 饰）宅家多年，无所事事。大学毕业工作了一段时间后，乐莹选择脱离社会，封闭社交圈层，这是她认为与自己“和解”的最好方式。一日，在命运的几番“捉弄”下，她决定要换一种方式生活。在与外面的世界小心翼翼的接触中，乐莹结识了拳击教练昊坤（雷佳音 饰）。当她以为生活即将步入正轨时，接踵而至的考验却远超她的想象，滚烫的人生才刚刚开始……

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一场史无前例的狂犬病疫情正在针叶林中爆发。 被感染的狼变得越来越凶猛，咬一口必死无疑。 与此同时，一位绝望的父亲决定将他的儿子强行隔离在其中一个狩猎小屋中。 很快，他和几位当地居民不仅要与狂犬病狼群作战，还要与森林中最危险的掠食者作战。剧情取材于2019年发生在俄罗斯阿穆尔州的真实事件