低头遇见爱

简介：

电影《一生有你》改编自经典同名歌曲，讲述了一个工科男爱上一个女孩、遇见一个梦想，经历错过、告别与成长的青春故事。从利用吉他追女孩到爱上音乐，再到找到音乐梦想，在方瑶（徐娇饰）的影响下，欧洋（谢彬彬饰）一步步蜕变。就在欧洋高歌猛进奔向爱情和梦想彼岸时，方瑶前男友的突然回归，打碎了欧洋的全部计划，而方瑶也陷入了爱情和梦想的痛苦纠结中......“一生有你”是我太过美好的愿望，一生有过你，已足够幸运。

简介：二十世纪初期是西部的转型期，但著名的侦察员兼神枪手汤姆霍恩（史蒂夫．麦奎因饰）无视时代变迁，仍坚持个人的生存原则，以单枪匹马搜捕罪犯为生，最后被时代淘汰。本片根据汤姆．霍恩的自传改编，以冷峻手法表现一个没落西部英雄的形象，手法传统，故事清淡，但颇能捕捉到暴力与死亡的痛苦感觉。

简介：

1941年，日本军队快速占领了英国统治下的马来亚。男人们被抓去做苦力，但却没有地方安置妇女和儿童。本片从其中一个英国女护士的视角讲述了这个故事，她遇见了一个澳大利亚士兵，他从苦力营里面偷食物给她。战争结束后，她去了澳大利亚那个士兵家乡的小镇并在那住了下来……

简介：

天真的塞莱娜 (Paola Locatelli 饰) 在新学校爱上了当红冲浪手特里斯坦 (Simon Rérolle 饰) ，但她并不知道自己是特里斯坦和 Instagram 女王凡妮莎 (Ella Pellegrini 饰) 之间残酷打赌的对象。《危险关系》是一部由 Paola Locatelli 和 Simon Rérolle 主演的电影，将于 7 月 8 日在 Netflix 独家上映。

简介：

作为中国现代杰出的文学家，郁达夫十七岁就到了日本求学，目睹和感受了日本人对华人的歧视，由此竟激起奋发求学的志向。他和港田是好友，并且同时爱上了少女隆儿。一边是友情，一边是爱情，郁达夫最后选择了友情，让隆儿随港田而去……后来日本人因为郁达夫的经历和知道得太多，而将他残酷杀害。这是周润发主演的第一部历史人物题材影片，虽略有生涩，但反应良好，他深情演绎了这位著名作家的一段感情历程。导演方令正似乎非常迷恋这种跨越中日两国的爱情题材，日后他拍摄的《南京的基督》（梁家辉主演），就是根据芥川龙之介的同名自传体小说改编，讲述这位日本名作家来华时与一位中国少女的爱情故事......导演方令正在此探讨了二个主题，一个是少年郁达夫对性的迷惑和对爱的追求，另一个为中日民族问题的爱与恨，前者表现得浪漫含蓄，深得东洋文艺电影的神髓，部分片段有欧洲的爱情片的清新飘逸的感觉。而后者所表现出来的强烈的爱国热情，令观众为之动容。本片大部分在日本实地取景，摄影师陈沛佳表现杰出，无论画面构图，色彩配置和镜头运动都有很高水准。映象效果直逼日本文艺片。编导在此片表现不俗，能从形式上的卖弄深入到与内容的协调，是一部不错的电影。

简介：

书生宁采臣（张国荣饰）收账不成，无处可归，遂夜宿鬼寺兰若寺，遇上侠士燕赤霞（午马饰），二人成为邻居。一日偶遇艳女小倩（王祖贤饰），二人两情相悦，但小倩乃是被树妖姥姥控制的鬼魂，专门迷惑精壮男子代姥姥吸取阳气。小倩见宁采臣心地善良不忍加害，并与他感情逐渐加深。宁采臣欲救小倩脱离姥姥魔掌，但苦于姥姥功力深厚，小倩无法脱离其魔掌。二人遂向燕赤霞求救......

简介：在希腊罗德岛，两个男人意外相遇了，然而一场黑吃黑的du品交易的目击却改变了一切。回到德国，随着越来越多的人被引诱到这场危险的猫鼠游戏中，猎人和猎物之间的界限模糊了..

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：An orphan boy and a pampered rich-kid girl are trying to uncover secrets of the past to save their romance and their skin.

简介：本片是苏联二战后摄制的第一部彩色影片，获戛纳电影节大奖和斯大林艺术电影奖最佳导演奖。影片取材于俄罗斯民间故事，青年石匠达尼拉雕刻了一朵宝石花作为爱的信物送给自己的未婚妻，不料铜山女巫突然出现，施魔法诱惑了达尼拉……

简介：艾格曼（甘纳尔·布耶恩施特兰德 Gunnar Björnstrand 饰）是一位事业有成的律师，这一天，他带着妻子安妮（厄拉·亚科布松 Ulla Jacobsson 饰）去看一场演出，意外的遇见了自己曾经的恋人黛西瑞（伊娃·达尔贝克 Eva Dahlbeck 饰），艾格曼私下里找到了黛西瑞，想要叙叙旧，可是如今的黛西瑞已经是伯爵马尔科姆（凯尔·库勒 Jarl Kulle 饰）的人了，艾格曼的突然出现并没有令她感到有丝毫的高兴。　　艾格曼的儿子亨瑞克（比杨·比杰弗文斯塔姆 Björn Bjelfvenstam 饰）是一个发誓要潜心研究神学的男人，但家里的女佣却总是对他抛媚眼，打扰他的钻研，与此同时，他亦发现自己的目光总是若有若无的被年轻的继母安妮所吸引。

简介：

祺（任达华 饰）是一名职业扒手，这天出门前，家里飞来一只文雀，放生也不肯走，逗留昏暗屋内。祺与伙伴们午餐时问起自来雀的象征意义，伙伴说这是惹祸上身的前兆。当然，这是玩笑话。 祺带着兄弟四人在香港街头偷窃讨生活，四人共骑一辆自行车，歪歪扭扭，别有一番兄弟情趣。祺闲来爱拍摄街头风情，这日一名急匆匆跑过的女子甄珍妮（林熙蕾 饰）吸引了他的目光，他迅速拍下她的倩影。 无独有偶，他的另外三位兄弟，先后被同一位风情万种的女子缠绕，这女子总是步伐匆匆，但兄弟四人都着迷于此。直到他们被人狠狠教训。才明白珍妮是富商傅先生（卢海鹏 饰）的情妇，她想从傅先生那里取回自己的护照，过回自由的生活。 这四名兄弟，决定为她，冒险一回。不为什么原因。然而傅先生也是江湖老手，一场较量正在开始。